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Roses for the Last Night of the Proms

There are few evenings quite like the Last Night of the Proms. Familiar melodies fill the Royal Albert Hall, the audience joins in and music heard and loved for generations is given fresh life once more.

This year’s programme got us thinking about the curious connections between music, stories and the names of some of our roses. From familiar melodies to tales woven through history and culture, each offers a thread to follow from the concert hall into the garden.

The Lark Ascending (Ausursula)

Few pieces of music evoke an English summer quite like Ralph Vaughan Williams’s The Lark Ascending. The violin rises and falls with a wonderful lightness, seeming at moments to disappear into the open sky.

The Lark Ascending captures something of that same spirit. Its soft apricot, semi-double flowers are held in generous, airy clusters on tall stems, giving the rose a wonderfully light and graceful appearance. As each flower opens, a circle of golden stamens is revealed at its heart, while a light Musk fragrance adds to its gentle character.

With its tall, slightly airy growth, this is a lovely rose for the middle or back of a mixed border, where its flowers can rise above surrounding planting. There is movement to it too, particularly when the stems catch a summer breeze. A fitting namesake for music that seems to belong to the open air.

James Galway (Auscrystal)

For decades, Sir James Galway has brought the distinctive sound of his flute to audiences around the world, including appearances at the Proms. Known as ‘The Man with the Golden Flute’, his playing is celebrated for its clarity, warmth and seemingly effortless quality.

The climbing rose James Galway has an elegance of its own. Beautifully formed warm pink rosettes are packed with petals, their deeper centres gradually paling towards the edges. As the flowers open, their petals curve slightly outwards to create wonderfully full yet graceful blooms.

A strong climber, it flowers generously through the season and is a lovely choice for bringing height and colour to a wall or arch. Its flowers are carried beautifully above eye level, where their intricate form can be appreciated as you pass.

There is something rather fitting about a climbing rose bearing the name of a musician whose flute could lift a melody so effortlessly above an orchestra.

The Mayflower™ (Austilly)

When Henry Wood’s Fantasia on British Sea-Songs begins, the evening turns towards Britain’s long relationship with the sea.

For us, it brings to mind The Mayflower®, named after the ship that carried the Pilgrims across the Atlantic to America in 1620. We named the rose to mark the launch of our first American catalogue.

The rose itself has the unmistakable character of an old-fashioned English rose. Medium-sized, mid-pink blooms open above dainty foliage, their many petals forming softly informal, Old Rose-style flowers. A lovely, medium-strong Old Rose fragrance completes the picture.
The Mayflower® forms a tough, hardy shrub with upright, bushy growth and flowers repeatedly through the season. Particularly noted for its health, it is equally at home in a mixed border, a rose hedge or a more lightly shaded corner of the garden.
Its name recalls a journey across the sea, but The Mayflower® has found a rather lovely home in the English garden.

The Ancient Mariner (Ausoutcry)

And while the orchestra has taken us out to sea, there is one more rose we cannot help but think of.

The Ancient Mariner® takes its name from Samuel Taylor Coleridge’s The Rime of the Ancient Mariner, his extraordinary tale of a sailor and a voyage across the ocean.

This is a rose of generous proportions. Large, many-petalled flowers open in a glowing pink, with richer colour towards their centres gradually softening towards the outer petals. Several flowers opening together create a particularly sumptuous display.

Its fragrance is strong too, while its substantial, bushy growth makes it a lovely choice where there is room for a rose to develop naturally. Towards the middle or back of a border, its generous flowers can rise among softer surrounding planting, returning in flushes throughout the season.

The connection to the Last Night may begin with the sea rather than the music itself, but it seems a rather fitting companion to the evening’s sea songs.

Summer Song™ (Austango)

The name Summer Song seems almost made for an evening of music as summer draws to a close.

This rose brings its own warm note to the garden. Its large, densely petalled blooms are an exceptionally rich orange, glowing almost coppery in certain lights. Among softer shades of pink, cream and apricot, it creates a striking yet wonderfully warm accent.
Its strong fragrance is equally distinctive. Notes of chrysanthemum leaves, ripe banana and tea give it an unusual complexity, inviting you to linger a little longer over an open bloom.

Summer Song forms an upright shrub and flowers repeatedly throughout the summer. Its warm colouring is particularly beautiful in the softer light of early morning or evening.

A rose that does more than simply bear its name, bringing a little song of summer to the border.

When Music Meets the Garden

Music and roses have more in common than we might first imagine. Both can become entwined with particular people and places. Both can summon memories unexpectedly. And both reward returning to, even when we know them very well.

There is something seasonal about them too. We wait for a favourite rose to flower just as we might wait for a familiar piece of music to return, knowing what is coming but finding something new to enjoy each time.

So, as Pomp and Circumstance, the Fantasia on British Sea-Songs and those final familiar melodies fill the Royal Albert Hall, there may be another performance still unfolding at home. Rich orange flowers moving gently in the border, a pink climber reaching over an arch, a rambler spilling into bloom and the fragrance of an English Rose caught on the evening air.

A rather lovely accompaniment to the Last Night of summer.

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